A Forbidden Handshake

 

A Forbidden Handshake

In 2004, India-Russia Summit level meetings were held between Prime Minister Dr. Manmohan Singh and President Vladimir Putin in New Delhi. A Summit meeting at Head of State (HoS) level is a very serious affair for which the Ministry of External Affairs prepares meticulously and well in advance, sometimes a full year before the proposed Summit. Several rounds of consultations between senior functionaries of both countries are held to prepare the detailed agenda, including Draft Minutes and Press release for the Summit. The outcomes of the Summit are reported by media, and watchers and analysts of foreign affairs evaluate the success or otherwise of a Summit in light of the actual gains accruing to both countries.

MEA coordinates with other concerned ministries to prepare a shelf of Agreements: MoUs (Memorandum of Understanding) and MoAs (Memorandum of Agreement) to be signed by the two countries during the summit, with the signing ceremony in the presence of the HoS. There is a significant difference between MoU and MoA. Suffice it to say that an MoU outlines the shared perspective of the Organisations, Departments, or Governments toward a certain goal or project, whereas a MoA details the specific roles and tasks to be assumed by the parties in support of their shared objective. Someone has observed that since an MoU is not legally enforceable, it’s nothing more than a ‘formalized handshake’ to get things going between the signatories.

One of the shortlisted MoUs for the forthcoming summit was a tripartite Understanding to be signed among ECGC (Export Credit Guarantee Corporation) of India, Vnesheconombank, and Eximbank of Russia. Chairman & MD of ECGC was the signatory on behalf of India. Mr. Vladimir Dmitriev, Chairman of Vnesheconombank, and Mr. Nikolai Gavirlov, Chairman, Eximbank were the signatories from the Russian side.

Concerned Director, MEA convened a meeting of all signatories from the Indian side to brief them about the protocol of signing. The exact sequence of MoU signing by various Departments and Organizations, at what exact hour and minute a particular MoU would come up for signature and exchange of documents, where they would be seated, etc. were explained at length at the end of which the officials were given a printed copy of the Protocol for Signature of MoUs & MoAs reiterating the detailed oral brief by the Director. On top of the document was emblazoned ‘Secret & Confidential’ as is the norm for most MEA documents.

The Summit meeting was held the next day. HoS level meeting was held in the morning and was followed by a State Banquet Lunch hosted by the Prime Minister at Hyderabad House for the visiting dignitary. The signing of all agreements was scheduled to commence at 3.00 pm. MEA had briefed the signatories to report at 2.00 pm and be seated at the earmarked chair by 2.15 pm.

It was a big occasion for the lowly Joint Secretary (JS) who had never before signed an agreement in the presence of HoS. A GoI Agreement for a ministry is signed by the Minister or the Secretary. If it involved his segment of work in the ministry, the JS would be responsible for preparing the draft agreement, getting it vetted at all required levels and preparing the folder for the Minister or the Secretary, as the case may be. But under fortuitous circumstances, the JS had been given additional charge of CMD of ECGC when the previous incumbent had superannuated and the government had still not issued orders for the posting of a new Additional Secretary level officer. ECGC was a fully-owned government company under the administrative control of the Commerce ministry, but neither the Secretary nor the Minister could sign on behalf of the company especially since the counterparts on the Russian side were also Joint Secretary equivalent officers.

When the JS took out his best suit and favourite tie, his spouse could figure out that something big and important was coming up during the day. ‘Any important meeting today?’ she asked. ‘Signing an Agreement in the presence  of the Prime Minister. Mr. Putin would also be there,’ he replied trying to sound cool though he wasn’t. She quietly took the suit and tie and pressed it once again even though it had recently come back from dry cleaning and hadn’t been worn thereafter.

As directed, the JS reported at Hyderabad House punctually and took his seat at 2.15 pm. The Under Secretary requested the signatories to once again go through the written instructions given by MEA regarding Protocol and reminded them that no officer was to shake hands with either of the HoS, but only with the counterpart signing the document.

CMD, ECGC’s turn came at the scheduled slot and time, and he rose and approached the spot in front of the VVIPs where the exchange of the folders was to take place. The Agreement had been pre-signed, as agreed between both sides, in the interest of saving time. Only the exchange of documents, a handshake with the counterpart, and a brief pose for the official photographers were required. The drill was completed as per schedule.

At this point, the Russian counterparts briefly bowed to their President upon which Mr. Putin rose and shook hands with them, after which he extended his hand to the JS. MEA’s mandate of ‘No Handshake’ applied to the JS, but his counterparts and the President of Russia were obviously not bound by it. Had the JS abided by MEA’s direction and refused to shake hands with the VVIP, it might have caused a diplomatic flutter. Disregarding MEA’s briefing and stern instruction regarding protocol, he promptly shook hands with Mr. Putin. Dr. Manmohan Singh, having watched the scene with mild amusement (surely MEA had also briefed the PM that VVIPs were only required to watch and smile for the photograph), also got up and shook hands, first with the Russian counterparts and then with the JS.

The next day, the JS attended the marriage Reception for the Commerce Minister’s son. When he went up to the dais to congratulate the newly-wed couple and present them a bouquet, Mr. Kamal Nath introduced the JS to his son, ‘Meet my Joint Secretary. Yesterday, he shook hands with Vladimir Putin!’

MEA didn’t call for an explanation from the JS regarding the breach of protocol. Thoughtfully, PIB (Press & Information Bureau) sent him a copy of his photo shaking hands with Mr. Putin.  For his personal records!

***

This story is from my book ‘Invisible Poet and Other Stories.’

Beauty: An Enigma


Beauty: An Enigma

If you read only serious news – climate change, Russia-Ukraine war, Trump’s tantrums, Sensex movements, and similar stuff - you may have missed the latest list of ‘Ten Most Beautiful Women in the World’.

Who made that list, why and how?

Dr. Julian De Silva

Well, it was the outcome of a ‘study’ by Dr. Julian De Silva - an ophthalmologist by education and training, who later trained in Plastic & Reconstructive surgery – focussing only on the Face - and has about 10-year experience in facial surgery. Possibly, he is the owner-proprietor-surgeon-researcher of Centre for Advanced Facial Cosmetic and Plastic Surgery, London. Should you like to ‘Book a Consultation,’ his portal provides a telephone number.

Dr. De Silva meticulously measures facial features of select celebrities to determine the score for perfect beauty by using the Greek mathematical ‘Golden Ratio’. He has reportedly published such Top Ten lists in 2016, 2019, and 2022, too.

In the latest list, Hollywood actress Emma Stone with a score of 94.72%  is the most beautiful woman in the world. Two Indian beauties have made it to the top ten - Freida Pinto is third, and Aishwarya Rai Bachhan seventh. Rejoice, India! China has only one – Tang Wei, the actress (not to be confused with Teng Wei, Professor of Comparative Literature, who may be beautiful on her own right) at ninth. What if India is way behind China in per capita income, and nuclear war-heads; it is higher in ‘beauty’ index!

Golden Ratio (GR)

What’s the Golden Ratio? Attributed to Euclid, the father of geometry, the golden ratio is a mathematical constant approximately equal to 1.6180339887…. It is often associated with proportions considered harmonious, balanced, or aesthetically pleasing in art, architecture, geometry, and nature - e.g., flower petals, nautilus shells, human anatomy.

GR enthusiasts find a high GR score in all things perfect and beautiful including Parthenon – a masterpiece of Doric architecture, Egyptian pyramids, and Da Vinci’s Mona Lisa! In his book on GR, Mario Livio[i] traces its origin and popularity over the ages, but he debunks several myths. Da Vinci has left behind copious notes on his works, but there is no mention whatsoever of his application of GR ratio to draw Mona Lisa, asserts Mario. People see what they wish to see! Research can be influenced by a-priori concepts, theories, presumptions, and prejudices.

The ’study’

Since 2016, several media channels have run the lists compiled by Dr. De Silva, but none has raised any question or concern about the ‘study.’ Here are a few questions that may put a perspective to the list.

Why did Dr. De Silva conduct this study? Not for intellectual or aesthetic curiosity, but to promote his business, no doubt. What was the sample size – 10/50/100? Were only celebrities considered? Were mostly western female beauties considered? Was their consent obtained? Why was only ‘face’ measured to derive the score? Why not the heart, kidney, or liver? Why was the GR used?

Can ‘beauty’ be reduced to a mathematical equation? Isn’t it yet another ploy to objectify women? Why should a human be tempted, manipulated, or coerced to compare with others, and feel thrilled or devastated depending on the ‘score’? Isn’t every human unique?

Soon, Indian parents of ‘IIT-IIM educated, MNC-employed son’ may place matrimonial ads seeking proposals ‘only from tall, fair-complexioned, well-educated girl from a respected family. Candidates with Golden Ratio score of at least 85% may apply.’

An imagined chat

A client books a consultation, and meets Dr. De Silva at the appointed hour. This is how the chat proceeds:

Lady: Tks, Doc for seeing me at short notice. Do you think my face needs fixing?

Doc: Why, what do you think? Aren’t you happy with your face?

L: Well, I’ll be candid. I know I’m very beautiful. So, a bit disappointed not to be in your Top Ten list. What was my score, if you don’t mind sharing? Which features of my face were found wanting?

D: That was an academic study, driven by my intellectual, aesthetic curiosity. I’m disinclined to suggest corrective surgery basis the GR.

L: No issue. Tell me which of my facial features can be improved? How many sittings? Cost of procedure is no issue, but I’ve a very busy schedule, you know, and may need to cancel a few previous commitments.

The competent, conscientious doc took several close photos of her face from various angles, and said, ‘I’d study and analyze these photos and recommend corrective surgery, if needed. In our next session, I’ll brief you about the procedure, and show you AI-generated images of how your face would look after the surgery.’

The session ended. The hefty consultation fee had been paid at the time of booking the consultation.

What is Beauty?

What is beauty? Who is a beautiful person?

Concept of beauty has significant cultural variations, preferences, and nuances. There are no universally-accepted essential features or parameters to evaluate a person’s beauty.

Beauty is not in the face!

Had the surgeon-researcher read thoughtful poets, he might have hesitated to estimate beauty based merely on facial features.

“Beauty is not in the face; beauty is a light in the heart,” asserts Kahlil Gibran.

“Beauty is truth’s smile when she beholds her own face in a perfect mirror.” - Rabindranath Tagore

“The loveliness of a woman lies in her speech, not in her form.” - Thiruvalluvar (Tirukkural)

Beauty and vanity

Vanity is most often a close companion of beauty.

The evil Queen - Snow White’s step-mother asked,

“Mirror, Mirror on the wall,
Who is the fairest one of all?”[ii]

She was devastated and furious when the mirror named Snow White.

Snow White was, of course, fair-complexioned. What was the evil Queen’s colour?[iii]

Feminine Beauty 

Classical Indian texts

Kamasutra discusses feminine beauty at length. It is more than a treatise on sex. A comprehensive manual on love, and the art of enjoying love, sex, and life; it provides guidance for success in kama, one of the fundamental goals of life . Inter alia, it also discusses the attributes of attractive men and women. Physical beauty, alone, is inadequate. Beauty needs a thinking mind, a feeling heart, sensibility, compassion, and much more.

In the Śilpaśāstras, holistic feminine beauty is defined through physical proportions (tāla-māna system), bodily attributes (lakṣaṇa), and aesthetic qualities (bhāva & rasa).
The purpose was to guide the sculptors and painters to represent idealized beauty—physical, emotional, and spiritual. Following these textual guidelines, the sculptors and artists captured exquisite feminine beauty in their immortal works - the yakshi at Sanchi stupa, the frescoes on the walls of Ajanta and Ellora, and the sculpture of shalabhanjika.


(A beautiful lady in classical tri-bhanga pose_Chennakeshava temple,Belur; Source: Wikimedia Commons))

Sanskrit Poetry

Beauty cannot be measured by a tape, in mm or cm. Sanskrit shringar poets, especially Kalidasa and Jayadev, celebrate feminine beauty in immortal verse – through the sheer power of words, similes, and metaphors.

In Meghadutam, the Yaksha suffering a curse and banished from his abode, pines for his absent lady-love by seeing her in various facets of nature. In an exquisite verse, Kalidasa celebrates the Yakshini’s beauty through nature.  

“In the śyāma-vines I see your body,

your glance in the gazelle's startled eye,

the cool radiance of your face in the moon,

your tresses in the peacock's luxuriant train,

your eyebrow's graceful curve in the stream's small waves;

but alas! O cruel one, I see not

your whole likeness anywhere in any one thing.”[iv]

(Bold Italics by blogger)

Beauty cannot be reduced to just one or a few features.

Jayadeva describes Radha’s beauty in memorable verses in Git-Govinda. Krishna’s neglect has deeply hurt Radha. To placate her, Krishna sings in praise of her beauty:

Your lips are luscious red like Bandhuka[v] flower; your face has the golden pale hue of the Madhuka (Mahua) flower; your eyes surpass in beauty the blue lotus; your nose is exquisite like a tila (Sesame) flower; and your teeth sparkle white like kunda-kalika (jasmine bud) flower. How amazing that you’re a mortal, yet are endowed with the heavenly beauty and effulgence of apsaras – Madalasa, Indumati, Manorama, Rambha, Kalabati, and Chitralekha!

You are Beautiful!

Do not judge a book by its cover, counsel the wise. The most appealing, alluring cover can never hide if there is trash inside. Yet, many succumb to the easy trap of facial charm. What if a beautiful face has rotten teeth, foul odour, and the mouth opens to shower unprintable expletives in a hoarse voice? What if she’s a dumb beauty - not physically-challenged, but with a weak mind?

A person is more than her face, body, flawless pearl-white skin, hairstyle, expensive attire, sun-glasses, fragrance, luxury car, accent, etc.

A human is a complex being- impossible to judge on one or a few parameters.

If you’re a model, or aspire to rise and shine in show-biz, you may stress about your bodily features; but if you’re happy to be alive, at peace with yourself and the world, and have a purpose in life; your inner beauty would radiate naturally and it’d be impossible for the world to pass by without noticing. A fragrant rose makes its presence felt even when unseen.

You are as beautiful as you wish to be, but you need to work on it. All your life.

Transience of Beauty

But it’s good to remember; beauty, like fame, wealth, and life itself, is transient and ephemeral.

The famed courtesan Ambapālī  was celebrated for her incredible beauty. When she grew older, she meditated on her fading form. This led her to illumination, and she became an arahant -liberated one – in the Buddhist Order.

In the Therīgāthā, she sings:

“The hairs on my head were once curly,

black, like the color of bees,

now because of old age

they are like jute.

It's just as the Buddha, speaker of truth, said,

nothing different than that.”[vi]

Just in Jest: My score

What may be my ‘score,’ I wondered.

Dr. De Silva may or may not take up a study to bring up a list of Ten Most-Handsome Men in the World, and even if he does, he is unlikely to include in his sample a dark-skinned, seventy-one-year-old Indian who has never been complimented as handsome, by women or men, in his youth or later. Not to be put down by such depressing thoughts , I sought ChatGPT’s help.

Me: Can you please estimate my GR?

ChatGPT: Yes, I can help estimate your facial ratio if you upload a clear front-facing photograph.

I did that. C asked me for ten measurements in mm or cm. You may use a scale/ruler on the printed photo or screen, it suggested.

Me: Sorry, I’ve no time for that.

C: No issue. I can try an approximate visual proportion assessment, but it will be less precise.

Me: I’m fine with that. Pls go ahead.

C: “Your Overall Estimated Golden-Ratio Harmony Score

≈ 78% to 85% range.

This would be interpreted as:

‘You have good natural facial proportional harmony with partial alignment to the golden ratio — especially around the eyes — while other areas show normal human variation.’

This is very much within the typical healthy adult proportional range, and is not a cosmetic judgment.

***

 



[i]  The Golden Ratio: The Story of PHI, the World’s Most Astonishing Number (2002) by Mario Livio - Israeli-American astrophysicist, Hubble Space Telescope scientist, and popular science writer.

[ii] In Brothers Grimm’s fairy-tale Snow White (1812), the original German word was  Spieglein meaning ‘little mirror;’ in the English retelling, it became ‘mirror, mirror’, and in Disney’s Snow White and the Seven Dwarfs (1937), it became ‘magic mirror.’

[iii] In the original Brothers Grimm tale, the Queen’s colour (appearance or complexion) is not specified.

Only Snow White is described in the famous formula:

“skin white as snow, lips red as blood, hair black as ebony.”

The Queen—Snow White’s stepmother—is simply described as a beautiful woman, proud and vain, and obsessed with being the fairest.

But no colour—skin, hair, or attire—is given in the early editions of the Grimms’ text.

Where does the idea of the Queen’s colour come from? Disney (1937) gave her a pale, aristocratic complexion. Later illustrations dressed her in black and purple, adding to her sinister aura. (Source: Chat GPT)

[iv] The Complete Works of Kalidasa, Vol-1: Poems; Translated by Chandra Rajan, Sahitya Akademi publication

[v] Scarlet mallow, Midday flower (Pentapetes phoenicea) A bright red flower, often compared in Sanskrit poetry with the color of rising sun or red lips. Frequently used in similes in classical kāvya.

[vi] Therigatha: Poems of the First Buddhist Women; Translated by Charles Hallisey, Murty Classical Library of India.

Teesri Kasam urf Maare Gaye Gulfaam

Teesri Kasam urf Maare Gaye Gulfaam

Maare Gaye Gulfaam

Maare Gaye Gulfaam - a musical play dramatized, designed, and directed by Raghuvir Yadav, a veteran actor-singer-performer from Madhya Pradesh - was recently staged at Rabindra Bhavan, Bhopal. The play was based on Phanishwar Nath Renu’s eponymous story on which Shailendra, the renowned Poet-Lyricist had produced the award-winning film Teesri Kasam (1966) with Raj Kapoor and Waheeda Rehman in the lead roles.

Who is Gulfaam, and why or how did he get killed, I had no idea. Why did Renu choose this as the title for his story? I looked up.

Gulfaam is a Persian word literally meaning rose/flower-faced (gul-rose/flower, faam- complexion/colour), a gender-neutral word for a man or woman with a pretty face. In Teesri Kasam, the song Maare Gaye Gulfaam has been filmed on Hira Bai, the heroine, thus making Hiraman the gulfaam who was slaughtered in ‘love.’ But that’s only half the story, for Hira Bai was herself gulfaam, too, and equally a victim of love and loss.

Hiraman had seen only her feet when Hira Bai got into the canopied, covered-cart. Much later, when he chanced to see the sleeping beauty with moonlight on her face - her diamond nose-stud twinkling like a star, and her ruby ear-pendants red as drops of blood - he exclaimed : “Arre Baap, e toh Pari hai!”

MGG is a tragic love-story with a difference; not of the epic scale of Heer Ranjha or Laila Majnu, but understated, implied, and suggested. A potential but unrealisable love-story between a rustic bullock-cart driver (gadiwan) and a nautanki-girl which was nipped in the bud before it could even blossom. Maybe, that’s why when Shailendra heard Mohan Rakesh read MGG over radio, his eyes teared up, he decided to make a film on the story, and contacted Renu who readily consented to the proposal.

The Story

Set in rural north-east Bihar around Forbesganj near Nepal border, timeline of 1940s, maybe; it tells the story of Hiraman, the gadiwan, and Hira Bai, the Company zenana (woman). It all begins when Hira Bai takes a thirty-hour ride on Hiraman’s bullock-cart.

Hiraman has sworn not to transport smuggled goods (Pehli Kasam), or to carry a load of bamboos (Doosree Kasam) which once had caused an unfortunate accident. Teesri Kasam, the third vow, would come at the very end of the story. Why reveal it now?

When Hira Bai’s manager puts the lady in the cart, the once-bitten-twice-shy Hiraman asks, ‘kyun bhaiya, koi chori chamari ka maal-wal toh nahin?’

During the long journey, Hiraman and Hira Bai engage in gupshup sharing their respective life-story in brief; Hiraman’s betrothed wife died before marriage, he’s unwilling to give up gadiwani – his passion – for the staid domestication of married life; Hira Bai is an independent woman, loves theatre, and is bold enough to quit her old Company for a new one for better prospects. She is aware of the challenges she faces as a nautanki-girl. People with money and power presume that she is available for their carnal pleasure for the right price. Nautanki-goers call her paturia, the vernacular for a prostitute (randi). As a performer, she is obliged and condemned to play her role as per the script. If Laila Majnu has a tragic end, how can I possibly change it? She asks. I must perform my role. But, with my heart in theatre it’d be preposterous for me to ‘play’ the role of a house-wife, a sati Savitri, she says, almost in a soliloquy.

I’ll call you Mita since we share the same name, says Hira Bai; but they are as different from each other as chalk is from cheese, or a bullock-cart from a train. Hiraman’s final dialogue, addressing his pair of bullocks, illustrates the unbridgeable chasm between their different worlds: “Why are you stupid guys looking back longingly at the departing train? Maare gaye gulfaam.” Much before that, Hiraman had reconciled to his fate: Company ki aurat Company mein gayee! 

He now takes his third vow (Teesri Kasam) – never again to accept a Company woman as savari.

Phanishwar Nath Renu

Renu is regarded as one of the greatest Hindi short-story writers. His work is celebrated for its deep rural realism, emotional nuance, and linguistic authenticity. He pioneered anchalik upanyas (regional novels), blending local dialects, idioms, folk-lore and songs and oral storytelling (Mahua ghatwarin’s tragic tale) into literary form. His novel Maila Aanchal is considered a masterpiece.

He was awarded Padmashri in 1970, but returned the award in 1976 protesting the Emergency.

Shailendra (1923-66)

Shailendra (Shankardas Kesarilal) moved from Rawalpindi to Bombay, and worked in the railways before getting a break as a lyricist for Bollywood films. He is revered as one of the greatest lyricists of Bollywood.

He won Filmfare Award (Best Lyricist) in 1959 for Sab Kuch Seekha Humne (Anari), and in 1969 (posthumously) for Jeena Yahan Marna Yahan (Mera Naam Joker). Many of his songs — “Awara Hoon,” “Mera Joota Hai Japani,” “Pyar Hua Ikrar Hua,” “Sajan Re Jhoot Mat Bolo,” and “Jeena Yahan Marna Yahan” — are consistently listed among India’s top film songs in retrospectives by Filmfare, Screen, and BBC Hindi.

Teesri Kasam was shot in less than a year at a cost of about two lakh rupees with Raj Kapoor charging just a rupee as his fees. Sadly, upon release in 1966 the film was not a box-office hit, and Shailendra died in December 1966 - not from disappointment or financial loss, asserts his son.



Shailendra was the only Poet-Lyricist who ventured into producing a film. Later, Gulzar and Javed Akhtar would also be associated in film production, but not as Producer – the investor who undertakes the huge financial risk of the unpredictable fate of a film.

Raghuvir’s Musical Play

The musical play was based upon Renu’s story, but with significant omissions, additions, and improvisations.

Raghuvir plays ‘chacha’ - a new character he added to the story - and performs a cute, impromptu nautanki for his little audience of fellow villagers. 

The humanised bullocks

The talented Director even got Hiraman’s bullocks to speak - in the tradition of Panchatantra stories; and their performance was loved and applauded by the audience.

In Renu’s story, the pair of bullocks were not mere beasts of burden, but humanised through deft turns of phrase: Hiraman frequently chats with them for they were dear members of his family; when he whispers to them during the police raid, the intelligent animals get the message, run through the dark, dense forest giving the police the slip; when lesser bullocks took fright, they were bold enough to transport the caged tiger to earn a handsome wage for Hiraman. At the end of the story, they empathised with their master’s loss and heart-break. They were not ordinary draught animals; that’s why Hira Bai bids them a tender farewell: Bhaiyan, chalte hain.

Raghuvir: Lyricist & Singer

Raghuvir is a lyricist and a good singer, too. His song in Peepli Live (Saiiyan toh khub kamat hai, mehengai dayan kha jaat hai) became a hit.

In MGG, Raghuvir wrote the lyrics, and sang most of them. Good, but no where near Teesri Kasam’s amazing lyrics by Shailendra so endearingly rendered by the star singers of the era – Lata Mangeshkar, Asha Mangeshkar, Suman Kalyanpur, Mukesh, and Manna Dey. Renu’s story contained snatches of many Maithili and Bhojpuri folk-songs – sajan re jhooth mat bolo, sajanwa bairi ho gaye hamar, laali laali doliya mein, maare gaye gulfaam – which Shailendra crafted into the hit songs of the film.

Raghuvir and troupe had travelled 800 kms from Mumbai to Bhopal by a bus (Volvo, of course). Why by a bus, asked the event organiser? We got time to rehearse on the way, said Raghuvir.

Raghuvir had trained at the National School of Drama under the theatre doyen Ebrahim Alkazi - a stern disciplinarian. Once when Raghuvir sought sick-leave, he thundered, ‘If you’re to die, better die in my presence.’

Raghuvir: Actor

Raghuvir made his mark with Massey Sahib (1985) in which Arundhati Roy played his tribal, nearly-speechless wife. After recently reading Roy's Mother Mary Comes to Me, I watched Massey Sahib once again. Raghuvir has acted in more than ninety films including Lagan (2001), Peepli Live (2010), Satya, Piku, and Newton. His TV serial Mungerilal ke haseen sapne is still adored. He is long past his prime, but refuses to fade out. During the current OTT era, he has a distinguished performance as Pradhan Ji in Panchayat which is shot in MP.

Gulab Bai: Queen of Nautanki

Nautanki is not an art form to look down upon. It is part of a rich tradition of folk theatre offering composite entertainment with minimal resources, most likely evolved from Ras Leela, Ram Leela, and similar dialogue-song-dance performances known under different names across the country - Bengal’s Jatra, Odisha’s Opera, Maharashtra’s Tamasha, etc.

In the rural fairs in UP and Bihar, even today the itinerant troupes stage performances by voluptuous girls gyrating to raunchy, bawdy numbers – Arrah hile Baliya hile, Bidi jalai le, Choli ke piche kya hai. But a good nautanki offers much more than a bawdy dance number; it has a dramatic plot and script enacted by professional actors though liberally spiced with folk songs, farce, crude jokes, and dances.

Kanpur, Lucknow, and Hathras were major centres of the nautanki tradition. Gulab Bai of Kanpur emerged as the first nautanki star, and was awarded Padmashri in 1990.

Gulab Bai was Renu’s contemporary, she had broken away from her mentor to form her own Company – The Great Gulab Theatre Company – which staged Laila Majnu, Sultana Daku, etc. Renu might have seen her performance.

Hira Bai is also from Kanpur and she also switched from her parent Company to a new one.

Maybe, Hira Bai’s character is inspired by Gulab Bai.

Enduring Appeal

Phanishwar Nath Renu (1921-77) could hardly have imagined that his 1954 story set in rural north-eastern Bihar bordering Nepal and East Bengal of the-then Pakistan; narrating the tentative, doomed-to-fail love-affair between Hiraman - a rustic gadiwan (bullock-cart driver) and Hira Bai - a nautanki girl from paschim (Kanpur); would be performed at Bhopal in 2025 to a houseful, applauding audience in a ticketed show by Raghuvir Yadav’s theatre group which travelled 800 kms from Mumbai by bus. Why did the audience enjoy and applaud the play even though most of them had not heard of Renu, read his story, watched Teesri Kasam, or had ever seen a bullock-cart used as a mode of transport?

The musical stage play was a veritable nautanki – a medley of suang, songs, dance, farce, slapstick humour, and much more; the only difference being the air-conditioned auditorium and use of modern sound and light technologies. Hiraman and his friends had watched Hira Bai’s performance seated on the mud-floor with pual (paddy straw) keeping their bottoms warm against the night-chill of Kartik.

Immortality is realised not merely through passing down the genes; it manifests in myriad, magical, mysterious ways. A great story stays alive long after the story-teller is gone; a great film is never dated; and nautanki – the rustic folk-theatre - transcends the rural-urban divide and time-travels to mesmerize a modern city-audience.

Resources & References

·      Hindisamay :: तीसरी कसम, उर्फ मारे गए गुलफाम -फणीश्वरनाथ 'रेणु' Tisari kasam,mare gaye gulfam -Phanishwarnath Renu

·      Ek Thi Gulab – Indira Gandhi National Centre for the Arts:  https://youtu.be/E2ay_UBwXvU?si=54mvRg_vnCpD6GRG

·      Vijoy Prakash, Former Divisional Commissioner, Purnia and a dear friend

·      C.P. Singh, a batchmate and dear friend.

·      Wikipedia, ChatGPT, CoPilot, IMDb

What a Journey: Bharat 1917 to India 2025!

 

What a Journey:

Bharat 1917 to India 2025!

Destitution to Dazzling Diamonds

How much times have changed. What amazing progress  our great country has made. What an exciting journey. What a glorious transformation; Bharat 1917 to India 2025; from despicable destitution to dazzling diamonds!

Bharat 1917

After the Congress Annual Session held in Lucknow from December 26-30, 1916, Gandhi proceeded to Champaran for a personal investigation into the pathetic plight of the indigo farmers. Congress was not formally associated with this investigation.

At Champaran, Gandhi had his first exposure to life in rural Bharat. Hoping to make a little difference, he mobilised a few volunteers, organised rudimentary medical care, and opened six primary schools in the villages.

About the abject poverty in rural India, he narrates a heart-rending incident in his autobiography:

“Bhitiharva was a small village in which was one of our schools. I happened to visit a smaller village in its vicinity and found some of the women dressed very dirtily. So I told my wife to ask them why they did not wash their clothes. She spoke to them. One of the women took her into her hut and said: 'Look now, there is no box or cupboard here containing other clothes. The sari I am wearing is the only one I have. How am I to wash it? Tell Mahatmaji to get me another sari, and I shall then promise to bathe and put on clean clothes every day.'[i]

 India 2025

At a recent big bash Diwali party in Mumbai, plebeian celebrities gawked and gasped when a very rich lady flaunted her bejewelled bag studded with 3025 diamonds.

“Though the sequinned Manish Malhotra saree and the boulder-sized emerald earrings mesmerised the internet, the real pièce de résistance of her look, however, was the Sac Bijou, Hermès’ bejewelled reincarnation of its most popular bag—the Birkin.….

According to Sotheby's, the rare Sac Bijou bag is the most expensive Hermès Birkin bag in the world. There are only three Sac Bijou Birkins in existence, and each comes with a $2 million (approximately ₹17,73,24,200) price tag.”[ii]

Gandhi on Wealth and Trusteeship

·      “Supposing I have come by a fair amount of wealth—either by way of legacy, or by means of trade and industry—I must know that all that wealth does not belong to me; what belongs to me is the right to an honourable livelihood, no better than that enjoyed by millions of others.”

 

·      “The rest of my wealth belongs to the community and must be used for the welfare of the community.”

 

·      “I do not want to dispossess the rich of their wealth. I want to make them the trustees of it.”  

 

·      “A trustee has no personal interest in the wealth he holds. He uses it for the benefit of those in need.”  

India’s Poor

Key numbers

·      With reference to World Bank international poverty line ($3/day in 2021 PPP), about 5.3% of Indians were living in extreme poverty in 2022-23.

·      Bottom 20% (poorest quintile) household income

·      A survey by PRICE in 2022-23 found that the poorest 20% of Indian households had an average annual income of about ₹1,14,000.

·      National poverty lines (domestic consumption-based thresholds)

According to the RAS-India poverty line table for 2022-23, the monthly poverty‐line consumption expenditure threshold (rural) is about ₹2,515/month per person. In urban areas, it's ~₹3,639/month.

Annually, that’s ~ ₹30,180/year (rural) and ~ ₹43,668/year (urban) per person.

The very rich lady’s Sac Bijou Hermes Birkin bag is worth

·      annual income of 1555 poorest 20% of Indian households; and

·      rural poverty-line consumption expenditure of 5875 Indians.

Carbon Footprint

What’s the bag’s cost to the environment? ChatGPT estimates the carbon footprint to be 70–100 tonnes CO₂ to offset which it would take 667 trees 30 years or more.

***



[i]  THE STORY OF MY EXPERIMENTS WITH TRUTH: An Autobiography

M. K. GANDHI

Part V- XVIII: Penetrating the Villages

 

[ii] Hindustan Times, Oct 14, 2025

 

Ganga-Bhuji

 

Ganga-Bhuji

In my previous blog – Demystifying Medical Prescriptions – I had discussed ‘Doc-write’ - the illegible prescriptions with mysterious abbreviations and symbols. I had also referred in passing to ‘Doc-speak.’ Doctors never tell a patient, ‘You’re to die soon,’ I had written. That’s not entirely correct.

Dr. Kabir Purohit is possibly the best General Physician in Sambalpur, but his ‘practice’ is rather modest since he is candid, blunt, and sometimes quite rude. Patients who want from a doctor diagnosis, drugs, and a dose of hope scrupulously avoid Dr. KP.

Sometime ago, a close friend of the doctor brought along his father who was very ill. The old man placed a bulky folder with history of treatment in leading hospitals of the country, and launched his litany of complaints – general debility, palpitation, breathlessness, loss of appetite and sleep, irregular bowel movements, and aches from tip to toe; but was cut short by the impatient doctor. He didn’t even bother to read the latest pathological reports from the folder. He had been seeing this patient quite regularly, and knew of all his health issues.

‘Should I take my father to Tata Memorial, Mumbai?’ asked the doctor’s friend.

‘No need. Prepare, instead, for Ganga-Bhuji.’

The doctor’s friend and his father stormed out of the consultation room swearing never again to see this doctor.

They didn’t have to. Ganga-Bhuji took place the next month.

***

Note:

Ganga-Bhuji is a customary death-ritual practiced in Odisha; a feast hosted in memory of the dear departed one after the son has performed asthi-visarjan (consigning the mortal remains) at Prayagraj.

Demystifying Medical Prescriptions

Demystifying Medical Prescriptions

 A few Quotes

“Doctors’ handwriting proves that medicine is indeed a mystery — from diagnosis to deciphering the script.”

“A doctor’s signature looks like an ECG report — irregular, fast, and impossible to interpret.”

“If pharmacists can read doctors’ handwriting, they deserve a Nobel Prize for cryptography.”

Doctor Captain

If your body is a little vessel tossing in the vast, fathomless ocean of life with dangerous diseases as killer sharks prowling to devour you, doctors are the trained and seasoned captains who save you from drowning or being devoured, as far as possible. They help you to stay afloat, and on course for your life-journey; even though you mostly ignore the captain’s counsel to eat sensibly, exercise regularly, keep your weight in check (your boat is not designed to carry a load beyond its capacity!), and avoid alcohol and smoking.

Whenever you consult a doctor, he never says, ‘You’re soon to drown, begin saying your prayers, and prepare for your final destination.’ Instead, he mutters inaudible soothing words, writes an indecipherable prescription, beams a friendly smile at you which means, ‘Consultation is over; time for the next patient, you know.’

You present the prescription at a medicine shop. The 10th Fail who is the body-double for the pharmacist required by law to dispense medicine has no difficulty in deciphering the codes. Business teaches smart survival skills including decoding the illegible hand of any doctor! He brings out from an open almirah the relevant alphabetically indexed plastic box and fishes out the medicine that you need.

OD, BD, TDS???

You return home with the sachet of tablets and capsules; but then you hesitate to pop the pill wondering which one to take when and what quantity for how many days? The doctor may have given rapid-fire oral instructions which never registered since you were mentally calculating the per minute consultation fees charged by your eminent doctor. You peer at the holy codes - OD, BD, TDS, SoS, and similar mysterious jargon in the prescriptions.

What does it mean? OD is Once Daily; that’s an easy one? How about BD? Twice Daily, you know; but why not call it TD? Okay, coz TDS means Thrice Daily; but what’s the ‘S’ for, you wonder. You may also wonder if many doctors are themselves aware of the origin of these mysterious notations.

Greek or Latin?

Is that Greek and Latin for you? Well; OD, BD, and TDS in medical prescriptions originate from Latin, not modern English. Modern medicine mostly refers to the western, allopathic system and its practitioners take the Hippocratic Oath. Hippocrates was a Greek medicine man. Why then do doctors follow the Latin notations and not Greek? Because, from Renaissance onwards, Latin had become the language of all learning including medicine.  

In due course, Latin terms like:

  • Omni die (OD) – once a day
  • Bis die (BD) – twice a day
  • Ter die sumendum (TDS) – thrice a day
  • Si opus sit (SOS) – if necessary

became standard medical shorthand worldwide — through colonial education and global standardization.

(Don’t  fear the ‘die’  in OD, BD, and TDS; it’s Latin for ‘day’ not ‘death.’ The Latin word for death is  “mŏrs” derived from the Proto-Indo-European root mr̥tós, which means “mortal” or “dead.” This root is related to various terms in other Indo-European languages, such as “mortality” in English, and “mort” in French. The words Sanskrit mṛtyu (मृत्यु) and Latin mors are etymologically related (cognates).)

But why do doctors persist with these Latin terms? Why in India where millions of patients have no knowledge even of English, not to speak of Latin?

Simple Symbols

To be fair to doctors, many use easy-to-understand, simple symbols – 0 for OD, 0-0 for BD, 0-0-0 for TDs. How many days? No issue; 0-0-0 x 7. Even illiterate patients would get it. Anyway, after so much investment in school education and adult literacy; someone in the family would understand what the doctor has prescribed!

AI gives up

Hoping that AI might be of help, I uploaded a recent prescription by a doctor with a memorable name: Darwin Thakur. Gemini AI read the prescription with much diligence and patience, and made several intelligent guesses about the medicines prescribed, but conceded defeat, and said, "Sorry, I can't read the handwritten prescription with accuracy, and I advise you against taking any medication based on my partial reading. I suggest you call up the doctor's office and seek the clarifications you need."

Tutorial for Doc

Next time your doctor writes a prescription for you, why don’t you politely ask for the origin and history of OD, BD, and TDS? If he falters, you could give a brief tutorial, and demand a reasonable discount in the Consultation Fees!

***

High Court's directives on legible prescriptions

In a landmark ruling, the Punjab and Haryana High Court has mandated clear and legible prescriptions; and a set of directions has been issued by Justice J. S. Puri on August 27, 2025.

In an anticipatory bail application  in a criminal case, the judge noticed that the Medico-Legal Report (MLR) submitted by a doctor was completely illegible, which led the court to take suo motu cognizance of the systemic issue.

The directives hold that the "Right to legible medical prescription and diagnosis" is an integral part of the Right to Health, which is a Fundamental Right under Article 21 of the Constitution of India.

***

Postscript

Why is the doc’s prescription illegible?

A doc is a detective. He launches a quick investigation, identifies the potential culprits, and orders immediate preventive or deterrent action on those villains. He has the unenviable task of completing this complex, challenging task in five minutes or less – the typical time spent by a specialist doc per patient. Obviously, he has no time to write an elaborate prescription like the following:

1.   Tab X – 1 Tab after lunch & 1 after dinner for 7 days

2.   Cap Y – 1 Cap 3 times a day for 4 days

3.   Tab Z – 2 Tabs daily for 30 days (A nutraceutical -  possibly curcumin, a fancy name for haldi – costing 120 rupees a Tab!)

4.   Tab ZZ – Analgesic – SoS

That’s why he scribbles fast. He knows well that the chemist across the street would easily decipher the codes which constitute the mysterious lingua franca of the medical care community.

What’s Rx?

A reader queried – what’s Rx? I had no idea, and looked up. That, too, is Latin; an abbreviation for ‘Recipe.’ The doc isn’t asking you to cook, but to eat the fistful of medicines he has listed in the menu.

I asked ChatGPT to provide a list of other common abbreviations used by docs. Here is the list:


Common Abbreviations Used in Medical Prescriptions


1. Frequency of Dosage

Abbreviation

Latin Term

Meaning / Explanation

OD

Omni die

Once daily

BD

Bis die

Twice daily (morning and evening)

TDS / TID

Ter die sumendum

Thrice daily (morning, afternoon, night)

QID

Quater in die

Four times a day (every 6 hours)

HS

Hora somni

At bedtime (night)

SOS

Si opus sit

As needed (only when required)

STAT

Statim

Immediately

Q4H / Q6H / Q8H

Quaque 4/6/8 hora

Every 4, 6, or 8 hours

QOD

Quaque altera die

Every other day


2. Timing in Relation to Meals

Abbreviation

Latin Term

Meaning / Explanation

AC

Ante cibum

Before meals

PC

Post cibum

After meals

HS

Hora somni

At bedtime

PRN

Pro re nata

As needed

CC

Cum cibum

With food

BID AC / BID PC

Twice daily before / after meals


3. Route or Method of Administration

Abbreviation

Latin Term / Modern

Meaning / Explanation

PO

Per os

By mouth (oral)

IM

Intra muscularis

Intramuscular injection

IV

Intra venous

Intravenous injection

SC / Subcut

Sub cutis

Subcutaneous (under the skin)

SL

Sub lingua

Under the tongue

INH

Inhalation

TOP / APPL.

Topical (apply on skin)

PR

Per rectum

Rectally

PV

Per vaginam

Vaginally

OTC

Over-the-counter (no prescription needed)


4. Duration, Quantity, and Course

Abbreviation

Meaning / Explanation

X 5 days

Continue for 5 days

Tab / Cap / Syr

Tablet / Capsule / Syrup

Inj.

Injection

Gtt.

Drops (for eyes, ears, or nose)

Ung. / Oint. / Cream

Ointment

Supp.

Suppository

Neb.

Nebulization

NR

No refill (do not repeat without advice)

Refill x1

May be refilled once


5. Miscellaneous and Cautionary Terms

Abbreviation

Meaning / Explanation

Rx

Recipe – “Take thou” (beginning of prescription)

Dx

Diagnosis

Tx

Treatment

Px

Prognosis

Hx

History

R / L / B/L

Right / Left / Bilateral

NPO

Nil per os – Nothing by mouth (fasting)

BM / BP / HR / PR

Bowel movement / Blood pressure / Heart rate / Pulse rate

NKDA

No known drug allergy


Note

Most abbreviations derive from Latin — a legacy of early European medical education.
Modern safety guidelines (WHO, NMC, FDA) recommend writing full English terms such as “once daily” or “after meals” to reduce errors and make prescriptions clearer for patients.

 


(Image by Gemini AI)


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